Mark Hosler (Negativland) • Wobbly (Negativland) • Helixhand • W0rkf0rce
May 26th, 2018, at Sandbox
325 15th St., San Diego, CA 92101
$7 Admission / $5 Members / $5 Beers / Cash Only
SPACE TIME is excited to present solo performances by two members of iconic "culture jamming" group Negativland, along with San Diego experimental electronic acts Helixhand and W0rkf0rce.
Mark Hosler takes a break from his Negativland duties to perform live and solo using a performance set-up built around various homemade one-of-a-kind electronic noise making devices (including two of Negativland's original "Boopers”). In these performances Mark creates an engaging and musical soundscape performance with devices that are intentionally unstable analog feedback boxes. Sometimes sounding like insane, alien, electronic insects fighting each other, the Boopers create a non-linear dynamic "living" system of sound for Mark to interact with that ends up being a performance dynamic where the musician is a fellow collaborator with the devices, encouraged to converse instead of merely transmit. The Boopers used in this show go way back to 1975, when Negativland founding member David Wills created the first one, adding multiple transistors to a simple FM radio receiver, and sending its output back into its input. Various knobs control the amount of signal through the transistors, but the sound that emerges remains wildly variable, and incredibly fun to listen to. Using multiple Boopers (all based on Wills's original design) and other homemade electronics as primary sound sources, Mark manipulates and augments the raw sound sources into a choral rainforest of pure electronic ear candy, erasing any easy distinction between the machine and the human. He might also rock out a little bit, too. Recent performances of this show at the Stanford Electronic Music Center, ISEA Fest in Sydney Australia, Cafe Oto in London, the Pompidou Centre in Paris, and Bumbershoot Festival in Seattle have been very well received.
WOBBLY / Jon Leidecker has been producing music under the name Wobbly since 1990, improvising with recordings to produce music which inherently resists the act of being captured. Recent performances deploy a battery of mobile devices driven by their built-in microphones, reacting instantly with error-prone variations on the notes and sounds they believe they are hearing: a tightly-knit orchestra with inhuman reflexes, resulting in structures which the human performer influences more than controls. Your phone is the instrument, and your phone is always listening. Wobbly's live and studio collaborations with Negativland, Dieter Moebius & Tim Story, The Freddy McGuire Show, Matmos, Fred Frith, John Oswald, Thomas Dimuzio, Huun-Huur-Tu, Sagan and Tania Chen compliment live mix media collages broadcast twice a month on KPFA FM's Over The Edge radio program.
More info -
In 1995 Negativland's released a 270 page book with 72 minute CD entitled "FAIR USE: The Story of the Letter U and the Numeral 2". This book documents their 4-year legal battle over their release of a single entitled "U2". San Francisco filmmaker Craig Baldwin produced a feature length documentary about Negativland, their "U2" single, culture jammers and other appropriation artists entitled "Sonic Outlaws" and Mark has appeared at many showings of this film to lecture, speak, debate, and answer the many questions that are raised whenever that film is shown. Negativland also created the soundtrack and sound design for Harold Boihem's documentary "The Ad and the Ego," an in-depth look into the hidden agendas of the corporate ad world that goes deeply into the gross and subtle ways that we are adversely affected by advertising.
The group continues to perform and tour, broadcast their weekly radio show '"Over The Edge," and more recent work includes "Our Favorite Things" (a feature length DVD collection of their many years of collaborative film work), various retrospective art shows in New York City, Seattle, Minneapolis, Houston, and Los Angeles of their visual collage work, and "It's All In Your Head" finds the group tackling their biggest subject ever: why humans believe in God. This ambitious and densely-crafted double CD is packaged inside an actual King James Holy Bible which has been appropriately repurposed into a "found" art object. Negativland mixes found music, found sound, found dialogue, guest personalities and original electronic noises into a compelling and thoughtful musical essay on monotheism, Christianity, Islam, Judaism, neuroscience, suicide bombers, 9/11, colas, war, shaved chimps, and the all-important role played by the human brain in our beliefs.
Declared heroic by their peers for refashioning culture into what the group considers to be more honest statements, Negativland suggests that refusing to be original, in the traditional sense, is the only way to make art that has any depth within commodity capitalism...
- NEW YORK TIMES
Negativland isn't just some group of merry pranksters; its art is about tearing apart and reassembling found images to create new ones, in an attempt to make social, political and artistic statements. Hilarious and chilling.
- THE ONION
A provocation and a punk-inspired commentary on our mercenary culture…eloquent and impassioned spokesmen for ideas like a “creative commons”…it’s salutary to see these smart and influential guys get a gallery show.
- ART IN AMERICA
Negativland, longtime advocates of fair use allowances for pop media collage, are perhaps America's most skilled plunderers from the detritus of 20th century commercial culture...the band's latest project is razor sharp, microscopically focused, terribly fun and a bit psychotic.
- WIRED MAGAZINE
Negativland is arguably the preeminent audio collage collective of our time.
- HI FRUCTOSE